Michele Clauser
|
|
|
My Interview With Michele
|
|
|
Michele Clauser's Interview
My interview with Michele Clauser, a very talented artist! A woman who can apply movie magic through makeup. Transforming humans into the most amazing living pieces of art.
Tammy - Michele, thank you so much for giving us a ‘behind the scenes look’ at well - behind the scenes! A tribute to the unsung heroes who can magically create and transform people.
Of course you know, my first question has to be when did you realize this was something you wanted to do?
Michele - I fell in love with movie monsters at a very young age. In my teenage years, I saw all the classic monster films. However, it was Rick Baker’s work in An American Werewolf in London, along with the makeups in Planet of the Apes, that sparked my desire to learn all I could about how makeup could do more than make women beautiful.
By age 18, I was doing makeups and costume designs for myself, family and friends during Halloween. In college, I read every book and magazine I could find on the subject.
Tammy - Both are my favorites! Especially an American Werewolf in London! That was a transformation like no other before it!
How about training? Your thoughts on classes or courses? I know for many artists, whatever form it is, there is a natural talent. Something where training only enhances the talent. I guess what I am trying to ask is this something anyone can do?
Michele - For the most part I am self-taught but I did find tons of videos and how to’s once the internet became a big thing. From there, I started taking online classes in Special Effects Makeup online with QC Academy.
I finished those and worked on classes in face painting and learning how to use different mediums to create characters and makeups. I am still studying Master Makeup Artistry and Airbrush makeup classes through QC Academy, as well as studying other applications through Stan Winston’s programs.
Thankfully, this is an age where everyone shares their techniques and is happy to discuss what they learned. I always ask other artists about what they used or how they achieve looks I like. They are usually quite happy to explain. Natural talent is only a small part that gives you the start. Hard work makes up the rest.
Tammy - You’re right, I couldn’t agree more! I think a desire and then hard work can make you accomplished in anything.
I have to admit, growing up, I was fascinated with the monsters on the screen, too! I believed in the scenario being played out because the characters looked nothing like us. Granted, many of them were in costumes, but the face was what always seemed to be the magical influence to me.
When you first think about creating an illusion. Does the shape of a person’s face factor in?
Michele - For me, it plays a big part. I prefer to look at the model’s face and build and see what it lends itself towards. You can always bulk up a slender person, but it is hard to create the illusion of gauntness in a big person. Hard, but not impossible.
If you work with the basic forms already there, the creature you are creating comes alive more. Foam latex is commonly used in prosthetics and while it is light, it does not move or bend well if too thick and the same is true of anything. The less you add to the actor underneath, the more they can emote and express themselves.
The more extreme and inhuman the outer image, the more likely you will either lose that or have to venture away from makeup and rely more on animatronic devices to make your outer visage read as real.
Subtle things like eye blinks, small facial moments such as mouth and lips, or ear twitches. Even small details like flared nostrils can then be remotely controlled by other people, but it makes for a much more intricate build and operation.
Tammy - Wow, that is very interesting! I never really thought about the whole functioning concept. But now it makes me realize how much more intricate all this can be!
What about a person’s chemistry? Like having dry or oily skin?
Michele - The actor’s skin, along with how and where they will be in makeup, plays a key role in helping the artist know which products to use. Allergies can also come into play due to the many chemicals and compounds found in makeups and removers.
Everything should be discussed beforehand and then it is advisable to do a small test patch either on the inside of the wrist or behind the ear. The model must trust the artist and the artist must listen to the model every step.
Sometimes, that product you have used hundreds of times before will still irritate your skin. Everything must be removed to prevent permanent damage or extreme reactions. Oily skin will need a toner applied prior to any makeup application, and dry skin will need to be moisturized prior to application. Both cases will require proper removers for any products and a good cleaning regimen. Artists should always wear gloves and use hand sanitizer.
Tammy - I know with just the simple task of trying to find the right daily make up for myself proves difficult at times. I can’t imagine trying to figure out the color or consistency for another person!
I’ve often heard stars complaining about breaking out due to makeup. Can this be a problem? What about acme itself? Is it hard to hide while creating an illusion?
Michele - Anyone who has worn makeup knows it can and will clog pores. Makeup should always be removed after you are done and a good moisturizer applied that is correct for your skin type.
Artists routinely clean and sterilize workspaces, tools and kits. Makeup should not be shared. Instead, put on a small palette if individual product and disposable applicators are not available. This virtually eliminates cross contamination.
Artists are also very aware of the shelf life of products that can become bacteria breeding grounds if kept too long after opening. There are techniques and products that can minimize the appearance of blemishes but open cuts and fever blisters are the exceptions and these should not be covered due to the chance of infection.
Tammy - I really like how mindful you are of the risks. We’ve touched on the make-up aspect, but there is also the prosthetics that can be applied.
What types of material can be used?
Michele - Foam Latex is still the most commonly used prosthetic appliances for many reasons. They are lightweight, cheap to make and will fit most needs. Occasionally a look might be better served by silicone appliances, but they can be heavy and hot to wear for long periods of time.
Some very basic effects can be achieved with simple things like gelatin or liquid latex. Though there is a wide range of options with new ones all the time. However, foam latex serves very well if stored and cared for properly.
Tammy - I know back in the day, some things used were toxic. Take the Tin Man from Wizard of Oz. Since you first started, has things changed through the years on what to use? Are you finding today’s products easier to use? Safer?
Michele - The FDA stepped in and started regulating what went into most of the cosmetics used today, making recommendations about what was or was not recommended for use on skin. But they only control what is marketed to the public for that purpose. People still experiment.
One of the newest trends is the use of what is called Prosade Transfers. Prosade is a skin safe medical grade adhesive used to ‘glue’ prosthetic appliances to the skin, but now they have devised a way to create small prosthetics appliances made from Prosade itself.
These are shaped in molds so they have depth and sometimes color is even added, but the process makes them on transfer paper that is applied much like those temporary tattoos we all grew up with. They need only a wet cloth over the paper backing to activate the adhesive again and when used along with makeup is very realistic looking and quite sturdy, if only for a single use. Many artists will use a variety of products and processes to achieve a finished look.
Tammy - Kind of like a mad scientist figuring out the perfect potion for his monster? That is so cool about Prosade, I bet that can save a lot of time! Let’s get into how long it takes to transform someone. Are there stages to what you apply?
Michele - Applications can vary in time. Essentially, the more time you have, the more finished the result. Hollywood usually has entire teams of people assigned and they work in tandem, so the more intricate applications go quicker.
Every application would ideally start with the supplies already laid out and on hand before the model arrives. Then their skin must be prepped and if they are already in costume, you would need to cover that.
If prosthetics are involved, I prefer to pre-paint a base coat at least. Most foam latex is never flesh toned, so it needs color correction before being applied. Makeup I find I prefer to start off with a base color to get the skin surface uniform, as that allows the artist to decide where the shadows and highlights are. Then I work on the shading or contours before I move onto the eyes. I find that if contacts are needed, they must go in before prosthetics change the face shape to dramatically. I finish with lips very last after any teeth are inserted.
Tammy - I’m sure through the years, trial and error have been a great teaching experience for you. Especially when it comes to knowing what needs to be prepped in advance, as well as understanding how subtle changes (teeth/eyes/etc) can affect the overall outcome.
When you go to transform, do you need to know the rest of the costume? I would think knowing the colors and the style would be beneficial to complete the illusion.
Michele - Personally, I love the entire process of bringing characters to life. I want to understand the being I am creating. How do they move? What do they wear? Where would they live, work, or hide? Color plays a big part in that feel for me too.
It also helps the model relate to who they are becoming. I do prefer to know or discuss costumes when creating a character so that I can think about how it will change the overall form as well as the area around the prosthetics. SFX makeup is not limited to just the face.
In fact, some artists specialize in true prosthetics and appliances for medical purposes, helping people with injuries feel more normal. Think of glass eyes and dentures as well as hands and feet for amputees. What your model will wear is as much a part of them as the clothes and hairstyle they choose.
Tammy - I know first-hand how amazing your work is! I love it when you show me a group of people in a photo and then ask me ‘which one do I think you are’? I can never tell! Man, woman, or beast, makes no matter! In a line up with others, you really have to study each person. I started trying to cheat by eyeing your height and use process of elimination, but even that didn’t always work. That is how good you are!
How hard is it for you to work on your illusions on yourself? What inspires you to create a unique look?
Michele - For the longest time I had no model besides myself and it was a running joke that most people would see me in costume(s) and never know they had seen me multiple times. More people knew my makeups than knew my real face!
That is slowly changing though, but I can still usually skip under the radar. I love coming up with creatures, so it is not hard for me. I get an idea and soon they have a life and identity of their own. They are vast and varied, though I am guilty of preferring Apes, Werewolves, Vampires and Demons.
Demons are fun because they come in all shapes, sizes, styles, and colors. I enjoy giving each one their own unique identity. I hate doing hair work, but love horns and spikes.
Tammy - I find all of this so very fascinating!
We are able to show a few of your illusions here, but where can people go to see more of your amazing art?
Michele - I try to keep a running steam of all my newest work posted on Instagram and Facebook under NightmaresDayscreams and I update my business page with a blog of my latest projects and events at Dayscreams.org.
I work with a lot of wonderful cosplayers, photographers and conventions ranging from Science Fiction, Fantasy to Horror. As well as Comicons up and down the east coast and MidAtlantic. I was honored to be asked by the Ocean City MD Comicon to give a presentation panel on Special FX Makeup in 2021 and will be returning again in 2022.
Tammy - Is there anyone you would like to give a shout out who may have helped you fulfill your dreams of sharing your talent?
Michele - My mom has put up with my weirdness and my daughter Willow sometimes grudgingly helps me out. This past year Mr. Tony Jones has started making sure to introduce me to a lot of people involved in small independent film making along the MidAtlantic, plus he is my convention partner serving as model photographer and promoter for me.
They, along with others out there, have allowed me the chance to create all the characters and creatures that go bump in the night while everyone else is learning how to make the perfect cat’s eyeliner. Thank you all for letting me be me.
Tammy - Thank you Michele, for the interview. I really enjoyed it! I’m usually one that doesn’t like to know the magic secrets, into creating what I may like to let myself think is real, but I must say it makes me appreciate it all so much more now!
I think you are an amazing, talented artist and just a joy to be around! Your creativity knows no bounds. And honestly, you did find the beauty beyond mundane makeup. With being able to not only express yourself but transform others into things they never dreamed of. May you continue to enjoy, create and entertain.
Tammy - Michele, thank you so much for giving us a ‘behind the scenes look’ at well - behind the scenes! A tribute to the unsung heroes who can magically create and transform people.
Of course you know, my first question has to be when did you realize this was something you wanted to do?
Michele - I fell in love with movie monsters at a very young age. In my teenage years, I saw all the classic monster films. However, it was Rick Baker’s work in An American Werewolf in London, along with the makeups in Planet of the Apes, that sparked my desire to learn all I could about how makeup could do more than make women beautiful.
By age 18, I was doing makeups and costume designs for myself, family and friends during Halloween. In college, I read every book and magazine I could find on the subject.
Tammy - Both are my favorites! Especially an American Werewolf in London! That was a transformation like no other before it!
How about training? Your thoughts on classes or courses? I know for many artists, whatever form it is, there is a natural talent. Something where training only enhances the talent. I guess what I am trying to ask is this something anyone can do?
Michele - For the most part I am self-taught but I did find tons of videos and how to’s once the internet became a big thing. From there, I started taking online classes in Special Effects Makeup online with QC Academy.
I finished those and worked on classes in face painting and learning how to use different mediums to create characters and makeups. I am still studying Master Makeup Artistry and Airbrush makeup classes through QC Academy, as well as studying other applications through Stan Winston’s programs.
Thankfully, this is an age where everyone shares their techniques and is happy to discuss what they learned. I always ask other artists about what they used or how they achieve looks I like. They are usually quite happy to explain. Natural talent is only a small part that gives you the start. Hard work makes up the rest.
Tammy - You’re right, I couldn’t agree more! I think a desire and then hard work can make you accomplished in anything.
I have to admit, growing up, I was fascinated with the monsters on the screen, too! I believed in the scenario being played out because the characters looked nothing like us. Granted, many of them were in costumes, but the face was what always seemed to be the magical influence to me.
When you first think about creating an illusion. Does the shape of a person’s face factor in?
Michele - For me, it plays a big part. I prefer to look at the model’s face and build and see what it lends itself towards. You can always bulk up a slender person, but it is hard to create the illusion of gauntness in a big person. Hard, but not impossible.
If you work with the basic forms already there, the creature you are creating comes alive more. Foam latex is commonly used in prosthetics and while it is light, it does not move or bend well if too thick and the same is true of anything. The less you add to the actor underneath, the more they can emote and express themselves.
The more extreme and inhuman the outer image, the more likely you will either lose that or have to venture away from makeup and rely more on animatronic devices to make your outer visage read as real.
Subtle things like eye blinks, small facial moments such as mouth and lips, or ear twitches. Even small details like flared nostrils can then be remotely controlled by other people, but it makes for a much more intricate build and operation.
Tammy - Wow, that is very interesting! I never really thought about the whole functioning concept. But now it makes me realize how much more intricate all this can be!
What about a person’s chemistry? Like having dry or oily skin?
Michele - The actor’s skin, along with how and where they will be in makeup, plays a key role in helping the artist know which products to use. Allergies can also come into play due to the many chemicals and compounds found in makeups and removers.
Everything should be discussed beforehand and then it is advisable to do a small test patch either on the inside of the wrist or behind the ear. The model must trust the artist and the artist must listen to the model every step.
Sometimes, that product you have used hundreds of times before will still irritate your skin. Everything must be removed to prevent permanent damage or extreme reactions. Oily skin will need a toner applied prior to any makeup application, and dry skin will need to be moisturized prior to application. Both cases will require proper removers for any products and a good cleaning regimen. Artists should always wear gloves and use hand sanitizer.
Tammy - I know with just the simple task of trying to find the right daily make up for myself proves difficult at times. I can’t imagine trying to figure out the color or consistency for another person!
I’ve often heard stars complaining about breaking out due to makeup. Can this be a problem? What about acme itself? Is it hard to hide while creating an illusion?
Michele - Anyone who has worn makeup knows it can and will clog pores. Makeup should always be removed after you are done and a good moisturizer applied that is correct for your skin type.
Artists routinely clean and sterilize workspaces, tools and kits. Makeup should not be shared. Instead, put on a small palette if individual product and disposable applicators are not available. This virtually eliminates cross contamination.
Artists are also very aware of the shelf life of products that can become bacteria breeding grounds if kept too long after opening. There are techniques and products that can minimize the appearance of blemishes but open cuts and fever blisters are the exceptions and these should not be covered due to the chance of infection.
Tammy - I really like how mindful you are of the risks. We’ve touched on the make-up aspect, but there is also the prosthetics that can be applied.
What types of material can be used?
Michele - Foam Latex is still the most commonly used prosthetic appliances for many reasons. They are lightweight, cheap to make and will fit most needs. Occasionally a look might be better served by silicone appliances, but they can be heavy and hot to wear for long periods of time.
Some very basic effects can be achieved with simple things like gelatin or liquid latex. Though there is a wide range of options with new ones all the time. However, foam latex serves very well if stored and cared for properly.
Tammy - I know back in the day, some things used were toxic. Take the Tin Man from Wizard of Oz. Since you first started, has things changed through the years on what to use? Are you finding today’s products easier to use? Safer?
Michele - The FDA stepped in and started regulating what went into most of the cosmetics used today, making recommendations about what was or was not recommended for use on skin. But they only control what is marketed to the public for that purpose. People still experiment.
One of the newest trends is the use of what is called Prosade Transfers. Prosade is a skin safe medical grade adhesive used to ‘glue’ prosthetic appliances to the skin, but now they have devised a way to create small prosthetics appliances made from Prosade itself.
These are shaped in molds so they have depth and sometimes color is even added, but the process makes them on transfer paper that is applied much like those temporary tattoos we all grew up with. They need only a wet cloth over the paper backing to activate the adhesive again and when used along with makeup is very realistic looking and quite sturdy, if only for a single use. Many artists will use a variety of products and processes to achieve a finished look.
Tammy - Kind of like a mad scientist figuring out the perfect potion for his monster? That is so cool about Prosade, I bet that can save a lot of time! Let’s get into how long it takes to transform someone. Are there stages to what you apply?
Michele - Applications can vary in time. Essentially, the more time you have, the more finished the result. Hollywood usually has entire teams of people assigned and they work in tandem, so the more intricate applications go quicker.
Every application would ideally start with the supplies already laid out and on hand before the model arrives. Then their skin must be prepped and if they are already in costume, you would need to cover that.
If prosthetics are involved, I prefer to pre-paint a base coat at least. Most foam latex is never flesh toned, so it needs color correction before being applied. Makeup I find I prefer to start off with a base color to get the skin surface uniform, as that allows the artist to decide where the shadows and highlights are. Then I work on the shading or contours before I move onto the eyes. I find that if contacts are needed, they must go in before prosthetics change the face shape to dramatically. I finish with lips very last after any teeth are inserted.
Tammy - I’m sure through the years, trial and error have been a great teaching experience for you. Especially when it comes to knowing what needs to be prepped in advance, as well as understanding how subtle changes (teeth/eyes/etc) can affect the overall outcome.
When you go to transform, do you need to know the rest of the costume? I would think knowing the colors and the style would be beneficial to complete the illusion.
Michele - Personally, I love the entire process of bringing characters to life. I want to understand the being I am creating. How do they move? What do they wear? Where would they live, work, or hide? Color plays a big part in that feel for me too.
It also helps the model relate to who they are becoming. I do prefer to know or discuss costumes when creating a character so that I can think about how it will change the overall form as well as the area around the prosthetics. SFX makeup is not limited to just the face.
In fact, some artists specialize in true prosthetics and appliances for medical purposes, helping people with injuries feel more normal. Think of glass eyes and dentures as well as hands and feet for amputees. What your model will wear is as much a part of them as the clothes and hairstyle they choose.
Tammy - I know first-hand how amazing your work is! I love it when you show me a group of people in a photo and then ask me ‘which one do I think you are’? I can never tell! Man, woman, or beast, makes no matter! In a line up with others, you really have to study each person. I started trying to cheat by eyeing your height and use process of elimination, but even that didn’t always work. That is how good you are!
How hard is it for you to work on your illusions on yourself? What inspires you to create a unique look?
Michele - For the longest time I had no model besides myself and it was a running joke that most people would see me in costume(s) and never know they had seen me multiple times. More people knew my makeups than knew my real face!
That is slowly changing though, but I can still usually skip under the radar. I love coming up with creatures, so it is not hard for me. I get an idea and soon they have a life and identity of their own. They are vast and varied, though I am guilty of preferring Apes, Werewolves, Vampires and Demons.
Demons are fun because they come in all shapes, sizes, styles, and colors. I enjoy giving each one their own unique identity. I hate doing hair work, but love horns and spikes.
Tammy - I find all of this so very fascinating!
We are able to show a few of your illusions here, but where can people go to see more of your amazing art?
Michele - I try to keep a running steam of all my newest work posted on Instagram and Facebook under NightmaresDayscreams and I update my business page with a blog of my latest projects and events at Dayscreams.org.
I work with a lot of wonderful cosplayers, photographers and conventions ranging from Science Fiction, Fantasy to Horror. As well as Comicons up and down the east coast and MidAtlantic. I was honored to be asked by the Ocean City MD Comicon to give a presentation panel on Special FX Makeup in 2021 and will be returning again in 2022.
Tammy - Is there anyone you would like to give a shout out who may have helped you fulfill your dreams of sharing your talent?
Michele - My mom has put up with my weirdness and my daughter Willow sometimes grudgingly helps me out. This past year Mr. Tony Jones has started making sure to introduce me to a lot of people involved in small independent film making along the MidAtlantic, plus he is my convention partner serving as model photographer and promoter for me.
They, along with others out there, have allowed me the chance to create all the characters and creatures that go bump in the night while everyone else is learning how to make the perfect cat’s eyeliner. Thank you all for letting me be me.
Tammy - Thank you Michele, for the interview. I really enjoyed it! I’m usually one that doesn’t like to know the magic secrets, into creating what I may like to let myself think is real, but I must say it makes me appreciate it all so much more now!
I think you are an amazing, talented artist and just a joy to be around! Your creativity knows no bounds. And honestly, you did find the beauty beyond mundane makeup. With being able to not only express yourself but transform others into things they never dreamed of. May you continue to enjoy, create and entertain.
